Yehudi Menuhin on Yoga

September 30th, 2011

The following is the foreword written by Yehudi Menuhin for the book ‘Light of Yoga’ by B.K.S. Iyengar.

The practice of Yoga induces a primary sense of measure and proportion. Reduced to our own body, our first instrument, we learn to play it, drawing from it maximum resonance and harmony. With unflagging patience we refine and animate every cell as we return daily to the attack, unlocking and liberating capacities otherwise condemned to frustration and death.

Each unfulfilled area of tissue and nerve, of brain or lung, is a challenge to our will and integrity, or otherwise a source of frustration and death. Whoever has had the privilege of receiving Mr Iyengar’s attention, or of witnessing the precision, refinement and beauty of his art, is introduced to that vision of perfection and innocence which is man as first created – unarmed, unashamed, son of God, lord of creation – in the Garden of Eden. The tree of knowledge has indeed yielded much fruit of great vanety, sweet, poisonous, bitter, wholesome according to our use of it. But is it not more imperative than ever that we cultivate the tree, that we nourish its roots?

The practice of Yoga over the past thirty years has convinced me that most of our fundamental attitudes to life have their physical counter – parts in the body. Thus comparison and criticism must begin with the alignment of our own left and right sides to a degree at which even finer adjustments are feasible: or strength of will may cause us to start by stretching the body from the toes to the top of the head in defiance of gravity. Impetus and ambition might begin with the sense of weight and speed that comes with free-swinging limbs, instead of the control of prolonged balance on foot, feet or hands , which gives poise. Tenacity is gained by stretching in various Yoga postures for minutes at a time, while calmness comes with quiet, consistent breathing and the expansion of the lungs. Continuity and a sens e of the universal come with the knowledge of the inevitable alternation of tension and relaxation in eternal rhythms of which each inhalation and exhalation constitutes one cycle, wave or vibration among the countless myriads which are the universe.

What is the alternative? Thwarted, warped people condemning the order of things, cripples criticizing the upright , autocrats slumped in expectant coronary attitudes, the tragic spectacle of people working out their own imbalance and frustration on others.

Yoga, as practised by Mr Iyengar, is the dedicated votive offering of a man who brings himself to the altar, alone and clean in body and mind, focused in attention and will, offering in simplicity and innocence not a burnt sacrifice, but simply himself raised to his own highest potential. It is a technique ideally suited to prevent physical and mental illness and to protect the body generally, deve loping an inevitable sense of self-reliance and assurance. By its very nature it is inextricably associated with universal laws: respect for life, truth, and patience are all indispensable factors in the drawing of a quiet breath, in calmness of mind and firmness of will. In thi s lie the moral virtues inher ent in Yoga. For these reasons it demands a complete and total effort, involving and forming the whole human being. No mechanical repetition is involved and no lip-service as in the case of good resolutions or formal prayers . By its very nature it is each time and every moment a living act.

- Yehudi Menuhin

Conversation with Zen Masters

September 24th, 2010

I recently got hold of a book – The Art of Twentieth Century Zen – Paintings and Calligraphy by Japanese Masters. This book by Audrey Yoshiko Seo and Stephen Addiss contains some valuable quotes and paintings by Zen masters.

Here is an interview with the book.

Me: What is Zen?
Shibayama Zenkei: “The real life experience of Zen is in the religious experience attained by each individual. In Zen it is transmitted directly from mind to mind and not by writing or rituals such as prayers or chanting of mantras and sutras. While its tradition and transmission are maintained solely by the religious experience of each individual, the genuineness of experience of the disciple must be identified with that of his teacher. In other words, while Zen insists on the one hand that the religious experience of the individual is the fundamental requisite, at the same time, Zen holds that the teacher’s verification of his disciple’s attainment is absolutely necessary. The mind-to-mind transmission in Zen thus has to be a teacher-student identification”.

Me: It is often difficult to apply nobel principles in real life. For example, in almost all religions something as hateful as killing someone is justified under certain circumstances. What do Zen practitioners have to say about war? Or let me re-phrase the question a bit. What was the position of Zen masters when Japan had imperialistic ambitions?
Shaku Soen: “War is not necessarily horrible, provided that it is fought for a just and honorable cause, that it is fought for the maintenance and realization of noble ideals, that it is fought for the upholding of humanity and civilization. Many material human bodies may be destroyed, many humane hearts be broken, but from the broader point of view, these sacrifices are so many phoenixes consumed in the sacred fire of spirituality, which will arise from the smoldering ashes re-animated, ennobled, and glorified.”
Me: Interesting…

Me: So was Zen always linked with the art practiced by followers of Zen.
Book: No.
Muso Soseki:”Then there those, who besotted with poetry, conceive of their vocation as a literary one – these are shaven-headed laymen, not worthy of inclusion in even the lowest grade. Nay, there are stuffed with food and stupid with sleep, vagrant time-passers I called frocked bums!
Me: [sound]…gulp

Me: Can you explain to us the concept of Wabi-sabi.
Book: Haven’t you already read about it and posted it on your blog.
Me: [bows in respect]

Me: I recently watched a movie by Satyajit Ray and it had these thugs who exhibited spontaneity and creativeness in their work. Can one be in a Zen state of mind while doing actions that harm others.
Book: [no response]

Me: I see that most of the monks are men. Seems somewhat unnatural.
Book: Clearly, you don’t much about Zen or its practitioners. Haven’t you read about Ryonen Genso whose remarkable story has been covered in the book – The Art of Zen
Kojimo Kendo: “We monastic women have largely been neglected by members if the sect, to say nothing of general society. The result has been that the institution of the sect has not granted us our natural rights. Dude to this negligence, a great number of monastic women have endured under miserable conditions, and the situation has not changed much over time….”

Me: When I search for music or art, I invariably go back in time and somehow connect with the work of past masters. Do you see phenomenon in Zen (or maybe Japan) too.
Mamiya Eishu: “Today we are concerned with material things, which completely vex people’s minds. In this way, we do not share the feelings of the people who could just look at the moon and forget they has no rice. This materialism is especially prevalent in the Nihonbashi and Ginza areas [in Tokyo]. It’s becoming crazy. We must confront this attitude and enter into spirit.”

Me: Jackson Pollock once said “Painting is no problem. The problem is what to do when you’re not painting”. What do you have to say about this? I mean many people try to use the medium of art to attain mental piece.
Shibayama Zenkei: “When one puts his soul and body into his work, often he will be in a state of samadhi [no-mind] where he forgets himself and transcends the distinction of subject and object. Such unity has its own value and beauty and may justly be admired. But it is limited in most cases to a particular aspect of one’s work, which is psychologically or technically separated from the rest of his life. Once will be in that samadhi only when he is engaged in that particular work, and his unity may be gone once he comes out of it. The vital point is that his samadhi is not based on a fundamental awakening which will completely change his personality and life”.
Me: Damn!

Me: I am an amateur painter. I have this instinctive feeling that the realistic paintings are merely a mastery over technical skills. Many of the Zen paintings are sketches. Do you have anything to say regarding this.
Shibayama: “..even if it depicts the objective fact faithfully, is nothing more than a skeleton or a conception. It lacks the very life which forms the content. On the other hand, a symbol has a characteristics of representing vividly the inner life, even if the form of presentation is entirely different. In particular, we may say that with regard to abstract content there is no other way to represent it by symbols. For these reasons, the inner life of Zen is often presented by poems and paintings.”

Me: That is enough talk for today. Looks like the Zen by itself is a beautiful and universal concept.it seems that the works and words that come from Zen masters are coloured by the society they live in.
Book: You fool! Be one.

Bhakti Rasa in Indian Folk Music

September 24th, 2010

“A rasa (Sanskrit रस lit. ‘juice’ or ‘essence’) denotes an essential mental state and is the dominant emotional theme of a work of art or the primary feeling that is evoked in the person that views, reads or hears such a work..” – Wikipedia

Here are a couple of clips that are examples of Bhakti Rasa (spiritual devotion).

First one is a scene from Satyajit Ray’s movie – Sonar Killa. The style of singing comes from the nomads of the Thar desert in northern India.

The second is from a documentary about the mystic poet Kabeer.

Emerging Artist: Umesh Mangipudi

September 24th, 2010

A set of recent paintings by Umesh Mangipudi.

Bio: Umesh Mangipudi is a self-taught artist. He is a student of Surendra Rao of Jabalpur.

Umesh has great hands and has mastered several types of drums including congas, the djembe and the dumbek. He has given several public performances as a singer and percussionist. He was a student of the master Indian musician, Ali Akbar Khan. He currently lives and paints in Nerul, Navi Mumbai.

Wabi-Sabi and the Japanese Heart

September 19th, 2010

Yum cups - Anagama fired - Courtesy Studio Karva

Wabi-Sabi (侘寂) represents aesthetic centered around the acceptance of transience. The word has its roots in principles from Zen and Buddhism specifically impermanence and transience. Heavy stuff!

The characteristics of Wab-sabi aesthetic are simplicity, modesty, asymmetry,  asperity and intimacy.  Nature does not produce things in absolute symmetry, nature is functional and therefore modest and so on. I think this is the Japanese way to describe things and a style that is in tune with nature.

Here is a BBC documentary about Wabi-sabi titled “In Search of Wabi-Sabi”. Not a great documentary on the subject but this video has surely made me want to go to Japan.

Beat for the right Spirit

September 12th, 2010

Here is a clip of Bata drumming from Cuba. 3 drums of different tones play a poly-rhythm. The solo is performed by the deepest sounding drum. According to the Yoruba tradition, orishas are spirits or manifestations of God. The songs and drums are played to invite specific orishas.

Some drummers having fun.

The Art Hose Friend Circle – Movies, Music, Camera..Action!

September 8th, 2010

Funny Business (7.29) is a movie by Srinivas Mangipudi. The movie was made as part of Dev Benegal’s 24X7 Making Movies initiative. This program requires that the entire movie be shot (including post-production) in 24 hours. The soundtrack is by Srinivas too.

No foley artists used — the squeaking sound (2:09) was provided by the dog!

Srinivas’s movie production house – Pusanga Films has since then produced a few more short films and this feature length movie called Dissolve. The movie explores the relationship between various forms of art. The movie includes the famous dhrupad singers from Bhopal -Gundecha Brothers, Vasumathi Badrinath (carnatic classical singer) and some naughty graffiti artists from France.

Aloha Accolade 2009, Honolulu International Film Festival

Official Selection 2009, FIFA-Montreal International Film Festival

Official Selection 2009, Cor-10 Coruna Tendencies Film Festival of New/Extended Media.

Here is the trailer of Dissolve. If you want to view or buy the full-movie, you can contact me [mithunb AT gmail Dot com] or srinivas [srinivas AT pusangafilms Dot com]

The film includes a recital by Gundecha Brothers. Here is an excerpt from the performance recorded by one of their students(?)

The film wraps-up with a performance by the Mangipudi bothers. Srinivas sings a tune set to a fabulous poem by Kabir and Umesh accompanies him on the dumbek.

Sadho Dekhle

When the last part of Dissolve was being shot, Manoj Kurien coolly spotted a fairy in the sets and captured a photo as evidence.

Movie making is a Piece of Ice

September 8th, 2010

So how difficult is it to make a short movie using your video camera. Not very difficult if you look at this video from ‘Imagine Art After’ on Facebook. The movie is made by Francis Alys.

A block of ice pushed through the streets of a city…that’s it. Obviously the ice melts as it is pushed along, the actor’s posture, his energy levels all these keep changing, a city is the setting. Enough dynamics and room for magic.

Dear Art Hose community….

August 25th, 2010

Art Hose has been around for around 9 months now and I am quite happy with the response we have received. We get decent traffic from our supporters and have a steady community on Facebook.

Art Hose has done quite well to act as platform for artists and providing a well-rounded view of the art world. I would now like to focus on community building. So lively up yourself, get bold and share your thoughts with fellow art-hose users. How long does it take for you to post a link — less than a minute!

How can you contribute?

  1. Post a link on on our Facebook page (zero effort).
  2. Mail me a link and I’ll either post it on the Facebook page or try to make a post out of it.
  3. Write a post for Art Hose (contact me for the guest login).
  4. Showcase your art. Submit your drawings, painting, recording anything.

We don’t care about

  1. Your writing style
  2. Your aesthetics

What we love

  1. Organic and grounded art-work
  2. Events in Mumbai
  3. Profiles of artists
  4. Ideas for events

What we usually avoid?

  1. Mainstream and tabloid nonsense
  2. Topics that have already received a lot of press

I’ll sign-off this post with a video of Bob. Enjoy!

Master Artist: Surendra Rao

July 20th, 2010

This is a gallery of paintings created by Surendra Rao. You can find him doing his work at the Himalaya art store near the CST railway station in Mumbai.

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